Top 200 Albums of the Decade (125-101)

Hope everyone is having a wonderful Thanksgiving!

Below are the archives of the rest of the Top 200:

200-175

174-151

150-126

125.	The Streets A Grand Don’t Come for Free
	Proof that Original Pirate Material wasn’t a fluke, A Grand Don’t Come for Free finds Mike Skinner churning out another set of intriguing, occasionally thought provoking and always quick-witted songs. A loose concept album about the protagonist losing a grand and attempting to recoup the money– the album works well with Skinner’s awkward-yet-smart and poignant slice of life lyrics, a terrific follow-up.   “Blinded by the Lights” (Explicit)
124.	J Dilla Donuts
	Released on his 32nd birthday and three days before his sudden death, Donuts is a collection of beautiful, organic instrumental snippets that would later find themselves on a slew of other hip hop tracks. While as an album Donuts may be hard for the casual fan to appreciate, Dilla’s superb execution is impossible to ignore. Although there have been several posthumous releases since, Donuts stands as Dilla’s last crowning achievement.   “Workinonit”
123.	Tom Waits Blood Money
	Based on the play Woyzeck, written by Georg Büchner, these songs were developed for a theatrical adaptation that was directed by Robert Wilson. The songs carry on the Waits tradition of not only being heavily surreal, but also containing jet black humor, especially on songs such as “Everything Goes to Hell” and “God’s Away on Business.” A haunting and intriguing album indeed, Blood Money is unlike anything else you’ll find on this list.   “God’s Away on Business”
122.	Herbert Bodily Functions
	Herbert’s first release to see US shores, Bodily Functions is a diverse, yet constantly impressive effort. With each track, the Herbert’s experimentation with instruments and constant tweaking is put in the forefront with the album’s intimate nature. A very impressive album, indeed.   “Suddenly”
121.	The Hives Vini Vidi Vicious
	Much of the albums success deservingly stemmed from the hit single, “Hate to Say I Told You So,” which skyrocketed into the mainstream and was even featured in the first Spider-Man soundtrack. Beyond that though, Vini Vidi Vicious is a 28-minute rock out, a paint-by-numbers “how-to” blueprint with all the moxie of an early Rolling Stones release.   ”Hate to Say I Told You So”
120.	Sleater-Kinney The Woods
	In what would be Sleater-Kinney’s last album before their indefinite hiatus, The Woods makes for a fantastic curtain call, with incredible production, a never-ending exuberance, and even the one surprising “pop” song on the album (“Modern Girl”) dissolves into dissonant noise. A true rocker with serious chops, The Woods is a stand out all around.   “Entertain”
119.	M.I.A. Arular
	M.I.A. rode a well deserved wave of hype leading into the release of her debut album. While it would turn out to be just the tip of the iceberg, Arular is a cocktail of highly conscious rap, dance hall and electronica, with a revolutionary message that can be appreciated by anyone, despite the heft of the subject matter.   “10 Dollar”
118.	The Postal Service Give Up
	The awe inspiring side project of Death Cab for Cutie’s frontman Ben Gibbard and electronic musician Jimmy Tamborello, the duo surprisingly worked on the album separately– which you would never notice from the intimate nature of the album. While “Such Great Heights” became the synonymous track for the album (the USPS still use it for their ads, thanks to legal responsibilities on the bands part), Give Up as a whole is a very important release.   “Such Great Heights”
117.	Late of the Pier Fantasy Black Channel
	Fantasy Black Channel is an exuberant romp fueled by heavy beats and an arsenal of rock influences. A weird fusion indeed, but Late of the Pier somehow always clicks on all cylinders, and it makes for one very joyous listening experience. Already an accomplished album, it’s all the more impressive to see it come on a debut from such a very young band.   “Heartbeat” (Explicit)
116.	St. Vincent Actor
	As strong as Annie Clark’s debut album Marry Me was, it doesn’t hold a candle to her follow up, Actor. Fully representative of all that she brings to her live shows, Actor is beautiful and affecting one minute, and abrasive and dissonant soon after. The arrangements are wonderfully done and demonstrate Clark’s incredible maturity as an artist, and she finally (thankfully) fully demonstrates her awesome abilities on the guitar as well. A supremely gorgeous album through and through.   “The Strangers”
115.	Animal Collective Feels
	While a collection of love songs from Animal Collective may seem like a stretch, Animal Collective isn’t your average band. The space age Beach Boys vibe is still present, and their densely layered songs may seem infinitely busy, but they’re also quite beautiful. Somehow, someway, despite all the noise, Feels is a masterfully executed and cohesive album.   “Grass”
114.	Low Things We Lost in the Fire
	Highly cinematic and articulate, one could make a case for Things We Lost in the Fire being Low’s greatest achievement. While somber, there is a bittersweet quality to their music, with Mimi Parker and Alan Sparhawk provide incredibly touching vocals. A highly recommended listen.   “Sunflower”
113.	Califone Quicksand / Cradlesnakes
	From the minute the slow burning opener, “Funeral Singers” begins, it’s clear that Califone is completely dialed in on this album. As sharp as ever, Quicksand / Cradlesnakes combines the experimental sound the band is known for with some incredibly sharp songwriting, making the final product all the more fascinating. A very addicting album that may take a few listens to truly appreciate, but once you get it– you’ll be hooked.   “Horoscopic Amputation Honey”
112.	Q-Tip The Renaissance
	If you don’t include the shelved and recently re-released Kamaal the Abstract, there was a nine year span between The Renaissance and Q-Tip’s solo debut Amplified. As hard as it is to believe, it was worth the wait– The Renaissance is, simply put, a timeless hip-hop album, one of the few released in the last few years that could dare stake such a claim. While it will particularly appeal to fans of the “old school” or “golden age” of hip-hop, Q-Tip’s latest truly has something for everyone.   “Gettin’ Up”
111.	Tom Waits Alice
	Released a decade late thanks to the original studio recordings being stolen from Tom Waits’ car, Alice was written for a play with the same title, which was directed by frequent collaborator Robert Wilson. As the play was based on the relationship between author Lewis Carroll (Alice in Wonderland) and Alice Liddell, the album is expectedly dark, haunting and soaked in imagery in a way that only Tom Waits can deliver. An exceptional album.   “Alice”
110.	Elbow The Seldom Seen Kid
	A sprawling masterpiece, The Seldom Seen Kid, Elbow has a definite flair for the dramatic, and its on full display here. From fantastical orchestral arrangements on songs such as “Starlings” and “One Day Like This,” to the more aggressive “The Bones of You” and pub tune “Grounds for Divorce,” Elbow manages to keep everything grounded with their incredibly sincere lyrics. The Seldom Seen Kid is a huge album in just about every way possible, but it’s also just about perfect.   “Grounds for Divorce”
109.	Iron & Wine The Creek Drank the Cradle
	Sam Beam’s debut album is an impressively heartfelt and intimate debut– raw, unabashed folk in the same vein as Nick Drake. The Creek Drank the Cradle, would eventually find company with a slew of other indie folk albums that were released around the same time, but this is one of the true standouts from that period.   “Lions Mane”
108.	Cut Copy Bright Like Neon Love
	This wonderful debut from the Australian Cut Copy truly surprised the hell out of me upon first listen and it still impresses me to this day. Rather than being retro for the sake of being so, Cut Copy writes really well within the genre, complete with smart hooks and danceable grooves– Bright Like Neon Love is a great debut.   ”Time Stands Still”
107.	Queens of the Stone Age Song for the Deaf
	Before there was Them Crooked Vultures, the idea of former Nirvana member and Foo Fighters frontman stepping behind the kit and working with the already successful Queens of the Stone Age seemed too good to be true. Then, all of a sudden, with the release of Songs for the Deaf many considered rock to have finally been resurrected by this 14-track masterpiece. Grohl brings incredible depth to their music, and with its wonderful production, excellent songwriting, and thrashing guitars, you could say that the Queens caught lightning in a bottle with Songs for the Deaf.   “God is in the Radio”
106.	The Go! Team Thunder, Lightning, Strike
	Based on their exuberant live shows, it was hard to imagine The Go! Team could ever capture that energy in the studio. Surprise, surprise, they did indeed– bringing more pep to your rally than any cheerleading squad, Thunder, Lightning, Strike is a mosh-posh of genres all constructed for the sole purpose of making you move. As their enthusiastic name would imply, they are immensely successful at doing just that.   ”Huddle Formation”
105.	Secret Machines Now Here is Nowhere
	An immensely talented band from Dallas, Now Here is Nowhere is an awfully ambitious debut, as they pool their shoegaze, krautrock, and prog rock influences into an epically large sound, complete with a nine minute opening track. Somehow, between the walls of guitar, and psychedelic space rock nuances, the album more than holds its own over the span of time it encompasses. The end result is by far the Secret Machines’ finest album.   “Nowhere Again”
104.	Super Furry Animals Mwng
	Sung entirely in Welsh, and completed in a mere few weeks, Mwng is one of the many outstanding releases SFA came up with this decade. The vocals are beautifully layered, and the sweeping guitars on songs such as “(Nid) Hon Yw’r Gân Sy’n Mynd I Achub Yr Iaith” make for a wondrous listening experience.   “Dacw Hi”
103.	Phoenix It’s Never Been Like That
	Phoenix flipped the script on It’s Never Been Like That, branching away from the electro-pop that brought them modest success in the past to becoming a more complete band. Sharper songwriting and more dynamic musicianship make for a winning combination with this breakthrough release.   “Sometimes in the Fall”
102.	…And You Will Know Us by the Trail of Dead Source Tags and Codes
	Their first major-label release, Source Tags and Codes would become something of an albatross for the band as they have yet to match this record since. On its own however, Trail of Dead stayed the course throughout this album, never straying too far off into their own self-indulgence. Some may question their brilliance, but no one can question the impact that this album had, as it managed to scour near perfect ratings from most critics and still has the same musical impact that it did seven years ago.   “Another Morning Stoner”
101.	Ghostface Killah Fishscale
	Ghostface Killah has always been an impeccable storyteller, with his frenzied pace underscoring the pulpy nature of his tracks, especially on tracks such as “Shakey Dog.” Even on the more mainstream “Back Like That” with Ne-Yo, Ghostface Killah still gives it his all, heightening what would otherwise be a generic R&B/Hip Hop track into something special. A truly superb album.   “9 Milli Bros.” (feat. Wu-Tang Clan) (Explicit)

Top 200 Albums of the Decade (150-126)

In case you thought I’d forgotten, here is the third installment of the Fuzzy Thoughts Top 200 of the Decade.

As a recap, click the following links to view the previous list entries:

200-175

174-151

Now onto the list!

150.	Air Talkie Walkie
	After their middling 10,000 Hz Legend, Air won their way back into critics and fans hearts with Talkie Walkie, which boasts two big singles in “Cherry Blossom Girl” and “Surfing on a Rocket.” A tremendous return to form for this French electronic band.   “Alpha Beta Gaga”
149.	Arctic Monkeys Favourite Worst Nightmare
	While Arctic Monkeys’ debut was often too cheeky for its own good, the band appeared to let the music do the talking on Favourite Worst Nightmare. Laying off the clichéd posturing, the band not only brought the energy for songs like the lead single “Brianstorm,” but also sharpened their songwriting skills as well and dared to experiment. All these chances paid off for what ended up being a much more enjoyable album than what was thrown together on their debut.   “Fluorescent Adolescent”
148.	Elliott Smith From a Basement on the Hill
	Completed after Smith’s death in 2003, the first thing noticed will be the entirely different production style that Rob Schnapf brought to the table. Although he had worked with Smith on earlier albums, Schnapf never referred to Smith’s notes during the production process. That being said, the album is as daring as anything that Smith has released– dark and dense, while retaining that slight undertone of bittersweet hope. Many fans may have been left wondering what could’ve been, but as it stands, From a Basement on the Hill is still a great album.   “Twilight”
147.	Fucked Up The Chemistry of Common Life
	To understand what is incredibly special about this album, one only needs to listen to the opening track, “Son the Father”– an epic, sprawling opener that builds so incredibly well over the span of six and a half minutes that you’d almost fear that the rest of the album can’t hold up to it. Fear not, from beginning to end Fucked Up brings it on this one, a controlled chaos of balls-to-the-wall rocking, The Chemistry of Common Life is anything but subtle, and in this case, that’s a good thing.   “Son the Father”
146.	Los Campesinos! Hold On Now, Youngster…
	The fun is endless on this release from the Cardiff based septet, whose boundless energy permeates through every note. Rife with pop culture references and self-referential lyrics, this glockenspiel-wielding band succeeds brilliantly, even when they’re not taking themselves seriously.   ”You! Me! Dancing!”
145.	Iron & Wine The Shepherd’s Dog
	While Sam Beam has always written beautifully crafted songs, The Shepherd’s Dog stands as the one clear cut album where it’s obvious he made a conscious decision to shake things up a bit and expand beyond the occasionally tepid soundscapes. Thankfully, rather than sinking fast in the new musical digs, Beam and company are more than up for the challenge creating some of the most musically stimulating music that Iron & Wine has ever released.   “Boy With a Coin”
144.	Shugo Tokumaru Exit
	If there was any justice, Tokumaru would be somewhere in between Sufjan Stevens and Animal Collective on the hipster coolness scale of the world. Instead, the multi-instrumentalist continues on with limited stateside exposure, but for those whose ears happen to catch a glimpse of avant-garde pop done right, Exit is sure to provide quite the delightful listen. Tokumaru used more than 50 instruments to record Exit, and while singling every one of those sounds may be impossible to do, it helps to explain the seemingly infinite depth that even the straightforward songs possess. Specifics notwithstanding, Tokumaru makes lovely music, even when just taken on the surface.   “Parachute”
143.	The Libertines The Libertines
	Back when The Libertines were still known for their music and not as one of the many casualties of Pete Doherty’s destructive lifestyle, they released two stellar albums, with this eponymous release being the second of them. In retrospect, it could’ve been that the band was aware that this was the beginning of the end. With the album being based on Doherty’s rocky relationship with fellow Libertine Carl Barât, all of the cracks in the Libertines armor are on full display here, but they’re being shown quite proudly. Albums like The Libertines is one of the reasons why this band should never be forgotten.   “Can’t Stand Me Now” (Explicit)
142.	Bright Eyes Lifted or The Story is in the Soil, Keep Your Ear to the Ground
	Conor Oberst sustained further popularity by later releasing I’m Wide Awake It’s Morning and Digital Ash in a Digital Urn in the same year, but Lifted… is the album that garnered him worthwhile praise. Daring and intimate, Oberst thrills with this release.   “Lover I Don’t Have to Love” (Explicit)
141.	Dizzee Rascal Showtime
	Showtime is an evolution of Dizzee Rascal’s astounding debut, Boy In Da Corner– comparatively more palatable and even somewhat playful, Showtime has both the shimmer that the title infers as well as the grimy weight that Rascal is known for.   “Dream”
140.	Common Be
	After the mixed reviews and controversy surrounding Electric Circus Common went back to square one and joined forces with fellow Chicagoan Kanye West to produce what was not only a return to form, but one of Common’s best albums of his career. While the album is incredibly concise (especially when compared to its predecessor), it is so polished and well-executed that the final product is nothing short but terrific.   “Go!” (feat. John Mayer) (Explicit)
139.	Beck Sea Change
	Influenced by Beck’s break up with his longtime girlfriend, Sea Change was drastically different from everything else Beck had released until then. Heavily influenced by such folks artists as Nick Drake, Sea Change could be both stark and barren on some songs such as “Already Dead” and “Guess I’m Doing Fine” to heavily orchestrated like “Paper Tiger.” A moody affair, Sea Change found Beck at his best and most mature.   “Golden Age”
138.	Yeah Yeah Yeahs It’s Blitz!
	It took It’s Blitz! for their previous album, a relatively disappointing Show Your Bones, to make sense. Here, YYY take the listener head on, demanding attention in the same way that they did on Fever to Tell, but also keeping your attention with some incredibly well written dance-influenced songs, not just short punk-influenced sketches. In time, this could be seen as the Yeah Yeah Yeahs’ crowning achievement.   “Heads Will Roll”
137.	Califone Roots and Crowns
	Roots and Crowns is a staggeringly beautiful album from the talented Chicago-based band. Dense, occasionally haunting, as exemplified on the opening “Pink & Sour,” this is hardly a Wilco sound-alike album as most comparisons would lead you to believe– no, this is an album truly deserving of its own merit.   “The Orchid” (Psychic TV cover)
136.	Animal Collective Strawberry Jam
	From the opening “Peacebone,” you could start to see that Animal Collective had figured out a way to be both experimental and approach some sense of palatability– twisted pop if you will. Continuing to branch out and experiment with new sounds the only way they know how, Animal Collective is strange and sublime all at once on Strawberry Jam.   “Peacebone”
135.	Of Montreal Hissing Fauna, Are You the Destroyer?
	Even by Of Montreal’s standards, Hissing Fauna… is completely out of left field. Daring and excessive, this concept album which frontman Kevin Barnes describes as his personal transformation into his alter ego Georgie Fruit, has a bit of everything. The crux of the album is the twelve minute opus, “The Past is a Grotesque Animal” the bridge between the two worlds so to speak, and from that point on the album gets all the more grittier, and perhaps even a bit stranger. It’s a difficult album to comprehend, but it is by far Barnes most consistently brilliant release.   “Heimsdalsgate Like a Promethean Curse”
134.	Murs Murs 3:16 The 9th Edition
	The silky smooth production from 9th Wonder matches Murs’ brutally honest lyrics perfectly, creating an intoxicating blend of hip-hop that requires repeated listens. Although brief, 3:16 is like a set of musical vignettes offering slices of life through the eyes of Murs.   “And This is For…” (Explicit)
133.	Feist The Reminder
	While Feist showed a lot of talent on her solo debut, her sophomore release The Reminder, is a staggering album, packed with incredibly well written pop songs (the most obvious of which is iPod anthem “1, 2, 3, 4”), and a level of confidence and vocal presence that simply only seemed to exist in bursts previously.   ”Sea Lion Woman”
132.	Dangerdoom The Mouse and the Mask
	The combination of Danger Mouse and MF Doom is exciting enough as it is, but throw in Cartoon Network’s Adult Swim for good measure, and you have something truly special. With the cartoon humor further adding to Doom’s already absurdist lyrics, and Danger Mouse keeping things grounded with a steady dose of funky classic hip-hop productions, The Mouse and the Mask is terrific fun.   “Perfect Hair”
131.	Dinosaur Jr. Beyond
	Their first album in a decade, and their first album with the original lineup in nearly 20 years, Beyond is surprisingly fresh, while the band sounds as sharp as ever. While Beyond may be viewed as a comeback album, the transcendent nature of it makes it feel as though the band never left.   “Almost Ready”
130.	Hercules and Love Affair Hercules and Love Affair
	While this stellar electro-disco debut became synonymous with the breakthrough “Blind,” there was a lot more to the album than just that one song. An overall noteworthy debut, this is sure to win over many a club hopper.   “You Belong”
129.	Herbert Scale
	To simply classify this album as electronic doesn’t do Scale justice, as its well-orchestrated to the point that it almost comes across as jazz-based in a sense. The layered vocals enhance the dense beats and sound effects that Herbert has created. An incredibly involving experience, Scale is truly a great album.   “Moving Like a Train”
128.	The xx xx
	Initially skeptical about the hype surrounding the generically named British group, The xx seriously impress beyond belief. A true grower, xx is incredibly subtle, but thoroughly enjoyable on each and every listen, and the next thing you know, you’re hooked on their dark, haunting grooves. One of the must have albums of 2009.   “Crystalised”
127.	Kings of Leon Because of the Times
	Because of the Times is the magnum opus of a band who up until the release of this album was seen as mostly a novelty act, content with replicating classic southern rock, rather than creating something new. That all changed here, from the stellar seven minute opener “Knocked Up” to the hard driving “McFearless,” Kings of Leon evolved in a way that few expected, and they have been on the fast track to superstardom since.   “Knocked Up”
126.	The Bug London Zoo
	A hard hitting project from Kevin Martin, he collaborated with a number of artists to form one of the most memorable dubstep albums of the decade. The grimey and angst-ridden sound is underscored by socially and politically conscious lyrics, but stops just short of being overly brooding. A very worthwhile listen.   “Angry”

Top 200 Albums of the Decade (174-151)

Here is the second installment of The Top 200:

174.	M. Ward Transfiguration of Vincent
	A deeply personal album with undertones of depression, loneliness and even death, M. Ward impresses early with the deceivingly upbeat “Vincent O’Brien” and turns the David Bowie-penned “Let’s Dance” completely on its head with a haunting cover. “Vincent O’Brien”
173.	The Futureheads The Futureheads
	This eponymous debut from the highly talented post-punk outfit is a sheer joy to listen to. With fantastic vocal harmonies, catchy hooks, and the ability to rock a bit when necessary, The Futureheads delivers big time. “Hounds of Love” (Kate Bush cover)
172.	Spank Rock YoYoYoYoYoYo
	From the moment the bass hits on the opening “Backyard Betty,” you know you’re in for something completely different. Raunchy as hell, yes, but Spank Rock has immense talent to go with it, from heavily layered beats to witty wordplay that constantly toe the line of what’s accepted (even on a rap album). Not an album for the weakhearted, Spank Rock’s debut is a terrific album if you can handle it. “Sweet Talk” (Explicit)
171.	Camera Obscura Let’s Get Out of This Country
	A great indie pop album that’s bubbly as all get out but packs an emotional punch to match, the Scottish band truly stepped up their game with this release and also emerged from the shadows of Belle and Sebastian in the process. “Lloyd, I’m Ready to be Heartbroken”
170.	Lupe Fiasco The Cool
	More consistent than Food & Liquor, and also quite a bit darker, Lupe Fiasco’s concept album may not have been entirely well executed as a concept, but the music stands proudly on its own. The Cool also benefitted from having a bona fide single in “Superstar”, which was missing from his debut, to garner well-deserved mainstream attention. “Superstar” (feat. Matthew Santos)
169.	The Coup Party Music
	The fourth release from The Coup is a politically hard-hitting album laid mostly over funky 70’s-influenced live instrumentals. There are some moments of levity with Boots Riley penning “Wear Clean Draws” as a song of advice tips for his daughter, but for the most part it is a highly critical social commentary that’s well worth hearing. “Ride the Fence” (Explicit)
168.	Spiritualized Songs in A&E
	Completed after frontman Jason Pierce’s serious illness, Songs in A&E is deeply affecting, especially when taken in context. Vivid imagery abound, as well as striking arrangements, Songs in A&E is an emotionally charged triumph. “Soul on Fire”
167.	The Black Keys Rubber Factory
	Rubber Factory was largely The Black Keys’ breakthrough album. Garnering a lot of critical acclaim after their first two albums, Rubber Factory found The Black Keys not only continuing to win the critics’ hearts but also helping them gain a substantial fanbase. All this was for good reason, as Rubber Factory not only stayed the course of immensely enjoyable blues-rock, but found their songwriting sharper and perhaps even a bit more confident in their sound. “Girl Is On My Mind”
166.	Gorillaz Demon Days
	Hardly anyone could’ve expected that an animated band could not only make the big splash Gorillaz did on their first go round, but actually sustain it long enough for a sophomore release. If that’s not enough of a shocker, the second album ended up being better than the previous– less novelty, more complete songwriting, and a hearty list of quality guest appearances to boot. A very enjoyable album. “Dirty Harry”
165.	Talib Kweli Quality
	Don’t let the Dave Chappelle intro fool you, Quality is as conscious and powerful as you would expect from Kweli. Also, per usual, Talib Kweli’s lyrics are as potent as his delivery. Surprisingly consistent given the wide array of producers on the album, Quality is just what you would expect based on the title. “Get By” (Explicit)
164.	Belle & Sebastian The Life Pursuit
	An evolutionary step from their previous release, Dear Catastrophe Waitress, Belle & Sebastian’s sound is the slightest bit more polished here, while also introducing new elements to their sound. The Motown-influenced “Funny Little Frog” to the extremely lush and playful “We are the Sleepyheads” and “For the Price of the Cup of Tea,” there’s plenty to like about this album. “The Blues are Still Blue”
163.	Modest Mouse Good News for People Who Love Bad News
	While Good News… will be most well known for boasting the single “Float On,” which propelled both Modest Mouse into the conscious mainstream, and also helped them earn their first platinum album, it’s also noteworthy for its polished sound and the inclusion of The Dirty Dozen Brass Band on two of the tracks. While there are some songs, such as “Dance Hall”, “Bukowski” and “The Devil’s Workday” that are just as weird as anything else Modest Mouse has done in the past, Good News… as a whole, is a very listenable Modest Mouse release– and likely strikes the best balance between palatability while showing serious songwriting strength. “Float On”
162.	Grouper Dragging a Dead Deer Up a Hill
	The latest of Liz Harris’ albums, Dragging a Dead Deer Up a Hill is an other-worldly ambient folk album. Curious, delicate, and indelible all at the same time, this is a true grower album that will certainly have you coming back for continued listens. “Heavy Water/I’d Rather Be Sleeping”
161.	The Strokes Room on Fire
	After supposedly changing the world of indie rock and being plastered on every single hip magazine in publication based on the success of Is This It?, there was honestly no way for this New York City band to keep the train going. Room on Fire on its own terms is a very good record, but was doomed from the start based on critical and fan expectations. That being said, if it’s enjoyed for what it is, there are a lot of very rewarding moments. “Reptilia”
160.	Mylo Destroy Rock & Roll
	With Mylo working on little more than an old PowerMac G4 and a lite version of Pro Tools (which is an upgrade from his previous kit of an iMac and the free version of the software), he was able to create an innovative dance/electronic album that truly took the world by storm. Blending elements of dance, ambience, and pop, Destroy Rock & Roll is a terrific album. “In My Arms”
159.	The New Pornographers Twin Cinema
	The New Pornographers is one of the few groups that have yet to release a bad album, and Twin Cinema stands as one of their best. Hitting hard from the get go with the rocking title track, A.C. Newman’s already exemplary songwriting skills appear to be even sharper on this release. A thoroughly enjoyable album, Twin Cinema is sure to put a smile on your face. “Sing Me Spanish Techno”
158.	Madlib Shades of Blue
	What happens when Blue Note Record Label hands the reins over to one of hip-hops most talented producers? A courageous masterpiece that never bastardizes the music that Madlib is sampling. Instead, he turns it into something both modern and nostalgic, a result the label had to be exceptionally pleased with, as it also won over its fair share of both fans and critics. “Mystic Bounce”
157.	Liars Liars
	While not quite as atmospheric as some of their earlier work, or even their album previous to that Drum’s Not Dead, Liars’ sound is as hypnotically gorgeous as always, utilizing fuzzed out guitars and incessant drums. From the driving opener of “Plaster Casts of Everything”, to the trippy pop of “Houseclouds” to the demented dance-rock of “Clear Island,” Liars is wickedly perfect. “Clear Island”
156.	Blu & Exile Below the Heavens
	An immensely talented MC paired up with an equally skilled DJ, Blu & Exile show a great deal of chemistry here, as Exile’s productions fit Blu’s dynamic rhymes like a glove all the way through the album. An incredibly smart and vibrant album, Below the Heavens is the reason why Blu has been considered one of the noteworthy up and coming hip-hop artists. “Dancing in the Rain” (Explicit)
155.	St. Germain Tourist
	St. Germain aka Ludovic Navarre may have been around the block a few times when it comes to jazz-infused projects, but nothing has come even remotely close to being as realized or accomplished as Tourist. Using live jazz orchestration in addition to samples, Tourist has a depth and soul that most other jazz-dance albums simply lacked. While St. Germain has all but disappeared as a solo artist, Tourist still lives on. “Rose Rouge”
154.	Fuck Buttons Tarot Sport
	Fuck Buttons managed to surpass the talent they showed on their debut Street Horrrsing with an absolutely superb sophomore release. From the strong opener in “Surf Solar” to the closing “Flight of the Feathered Serpent”, Fuck Buttons take the listener on a ride that makes for worthwhile repeated listening sessions– a terrific album. “The Lisbon Maru”
153.	Doves Some Cities
	Doves return to the list again, this time with the later Some Cities, a more abbreviated record than The Last Broadcast to be sure, yet still as enjoyable as the previous album. Songs like “Almost Forgot Myself”, “Walk in Fire”, and “Sky Starts Falling” show the progression and maturity of the band. “Snowden”
152.	Sigur Rós ( )
	An impressive concept to say the least, ( ) is divided by two halves, one side featuring lighter airier songs, the other being a bit darker and moodier. As with all Sigur Rós albums, the arrangements are mesmerizing, and the tunes provocative– ( ) is yet another worthy achievement from an always terrific band. “Untitled IV”
151.	The Rapture Pieces of the People We Love
	The Rapture sought out to make a killer party album and did just that with their follow up to the terrific Echoes. With songs such as “Get Myself Into It” and “Whoo! Alright Yeah… Uh Huh”, the band show their fun side, but also show their honed songwriting skills on songs such as the entrancing “Calling Me” (one of the handful of tracks produced by Danger Mouse). “Pieces of the People We Love”

Top 200 Albums of the Decade (200-175)

Despite the fact that most folks will sum up the past decade as the time when MP3s ruled supreme and the concept of the album as we used to know it died, there’s certainly a lot of good that came about as well. For every overhyped blog-created band there were a number of DIY releases that astonished critics and likely never would’ve seen the light of day in any other time period. Furthermore, with the cutthroat record labels searching for ways to fatten the bottom line, bands such as Radiohead and others looked to self-release albums own their own terms. With all that in mind, here’s the first installment of the top 200 Albums of the Decade.

200.	Josh Ritter The Historical Conquests of Josh Ritter
	There weren’t many albums from this decade that I played more than this one. Solid from beginning to end, The Historical Conquests of Josh Ritter not only represents the great deal of maturity that Josh Ritter has undergone through the course of his young career, but it also is easily representative of one of the true bright spots the 2000’s had in terms of singer-songwriters.“To the Dogs or Whoever”
199.	The Walkmen Bows + Arrows
	From the frenzied pace of “The Rat” and “Little House of Savages,” The Walkmen showed a fire and prowess that had only been hinted at previously. From here they would continue to show staying power, but Bows + Arrows deserves its own place here as the point at which The Walkmen established themselves fully as a band.“The Rat”
198.	Lily Allen Alright, Still
	Now here’s something that could only happen in this decade– Ms. Allen’s big break came through thanks to none other than Myspace. After unleashing a number of demos on her page, her quirky pop-flavors won over music fans and eventually labels alike. Combine her flair with the magic touch of Mark Ronson and you’ve one of the quintessential pop albums this decade.“Smile” (Explicit)
197.	Doves The Last Broadcast
	Despite an impressive string of very, very good albums, Doves are still under the radar when it comes to their popularity here in the US. Even so, it’s hard to ignore an album like The Last Broadcast, which in terms of individual moments, features some of Doves best work as band.“There Goes the Fear”
196.	Black Rebel Motorcycle Club B.R.M.C.
	While they didn’t have the staying power of The Strokes or The White Stripes, Black Rebel Motorcycle Club was right at the forefront of the garage revival bands of 2001 and this self-titled debut was considered among the cream of the crop. While they would only once come close of matching this album with the more Americana-influenced Howl, B.R.M.C. still stands as one of the better examples of garage rock done right.“Whatever Happened to My Rock N Roll (Punk Song)”
195.	DJ Shadow The Private Press
	Given the critically acclaimed status of DJ Shadow’s debut Endtroducing…, it seemed that his sophomore release was almost doomed from the start. Not so fast– while not quite memorable enough to achieve instant classic status, DJ Shadow provided one heck of a follow up to satisfy even the harshest critics.“Six Days”
194.	Cody ChesnuTT The Headphone Masterpiece
	Between the surprising MTV2 coverage to helping The Roots pen one of their strongest singles with a remake of “The Seed,” Cody ChesnuTT was an overnight success of sorts. While his solo talent was too raw for radio, with “Look Good In Leather” being the only song to receive any kind of commercial attention, it’s not surprising that ChesnuTT was unable to maintain that level of mainstream appeal– not that he wanted anyway as he would step away from music a short period of time after. That being said, The Headphone Masterpiece, a title that stems from the fact that the recording and production was done from the comforts of his home, is a sprawling, stream-of-consciousness approach to R&B/Soul that is truly refreshing.“The Seed” (Explicit)
193.	The Flaming Lips At War With the Mystics
	Musically invigorating, the lyrics on At War With the Mystics just weren’t quite enough to give it the staying power that their other albums benefitted from. That being said, The Flaming Lips had a handful of great singles on this album, and it was also a logical progression from Yoshimi Battles the Pink Robots.“The Yeah Yeah Yeah Song”
192.	Muse Black Holes and Revelations
	After being constantly referred to as that band that sounds a bit too much like Radiohead (except with half the talent), Muse truly broke the cycle with Black Holes and Revelations. Anchored by the glammed-up “Supermassive Black Hole,” the anthemic “Starlight” and Depeche Mode-influenced “Map of the Problematique,” it’s clear that Muse had an array of influences walking into this project. The resulting album is by far and away their most interesting, as refreshing as it is dynamic.“Supermassive Black Hole”
191.	My Chemical Romance The Black Parade
	This album just about destroyed every preconceived notion I had about the band, not to mention blew the similarly conceived rock-opera American Idiot out of the water as well. My Chemical Romance aimed incredibly high with this album, and mostly delivered– a truly exceptional experience.“Dead!”
190.	Working for a Nuclear Free City Businessmen & Ghosts
	While the Shortlist prize nominated album may owe a great deal to bands such as Joy Division, Working for a Nuclear Free City showed a great deal of promise as a new band to watch with their 2007 release– their US debut. Relying heavily on dense, industrial backdrops, there’s a sense of urgency to their sound that never gets lost.“Kingdom”
189.	Sunset Rubdown Random Spirit Lover
	The third release from Spencer Krug’s “other project” (the primary one being Wolf Parade) is nothing short of wondrous, and its apparent the moment the lead guitar launches into the beginning of the opening “The Mending of the Gown.” While those familiar with Krug’s work will find familiarity with some of the styles presented here, Random Spirit Lover excels through dramatic and poignant songwriting, and heavily-nuanced arrangements.“The Mending of the Gown”
188.	Erlend Øye Unrest
	While his relaxed, observational vocals may be more associated with The Whitest Boy Alive or Kings of Convenience, Erlend Øye’s electronic solo effort is as intriguing as the destinations he traveled just to record the album (each song was recorded in a different city, spanning eight countries in all).“Sudden Rush”
187.	Phoenix Wolfgang Amadeus Phoenix
	After finally breaking through with It’s Never Been Like That, Wolfgang Amadeus Phoenix finds the band finally comfortable within their newfound skin, after having mixed results as a more electronic-based band. While much of the staying power with this album lies within accessible tracks such as “Lisztomania” or “1901,” the epic “Love Like a Sunset” show Phoenix’s talent extends far beyond three minute pop songs.“1901″
186.	Badly Drawn Boy The Hour of Bewilderbeast
	The 2000 Mercury Prize winning album finds Badly Drawn Boy in top form, ranging from the beautifully orchestrated folk vignette of “The Shining” to the guitar pop of “Once Around the Block,” there are no real misses here. The Hour of Bewilderbeast is both a diverse as well as brilliant album.“Once Around the Block”
185.	Damien Rice O
	An achingly beautiful and intimate album, Rice found lightning in a bottle with a string of successes with the singles “The Blower’s Daughter” (released a year ahead of time to much success in Ireland), “Cannonball,” and finally “Volcano.” A must-own for any fans of the singer/songwriter genre, O is a terrific debut.“Volcano”
184.	Feist Let It Die
	Although no one could have anticipated the breakthrough sophomore release that would follow, Feist’s debut certainly wasn’t a shabby start. With her frequent collaborator Gonzales in tow, Feist’s Let It Die is a collection of songs that in a lot of ways is the antithesis of her Broken Social Scene work– quiet, intimate, and incredibly sweet, the lead single “Mushaboom” serves as a centerpiece for this very well done album.“Mushaboom”
183.	My Morning Jacket It Still Moves
	Swooping in like a creature from a far away land, the incredibly heavy reverb of My Morning Jacket gave the band an unassuming stance. Without seeing them live, one could mistake songs such as “Mahgeetah,” “Golden” or “Just One Thing” as being merely quaint. Even on their jam-oriented “One Big Holiday” on “Run Thru,” much of the sting is taken out thanks to the epic reverb. Only within the context of My Morning Jacket’s later albums did people even begin to understand that It Still Moves, was the sound of a band on the fast track to being something truly great.“One Big Holiday”
182.	Interpol Antics
	Admittedly, it was nearly impossible for Interpol to exceed expectations after wowing fans and critics alike with Turn on the Bright Lights. That being said, Antics was about as good a follow up as anyone could sincerely expect, and standing on its own, its a terrifically fun listen. Not quite as dour or grizzly as Turn on the Bright Lights or its successor Our Love to Admire, for that matter– Antics is a self-assured, and steadily entertaining listen.“Public Pervert”
181.	Belle & Sebastian Dear Catastrophe Waitress
	At the time, Dear Catastrophe Waitress stood as Belle & Sebastian’s most polished album, and that shift in production really brought their sound to life, adding a flair of sophistication to their frequently humorous wit. Dear Catastrophe Waitress still stands as the best album the band has produced.“If She Wants Me”
180.	Art Brut Bang Bang Rock & Roll
	Art Brut could be written off as nothing more than a gimmicky band if it weren’t for the fact they were so damned good. The razor sharp lyrics bring to mind Jarvis Cocker, while the band rocks along with the best of them. While Art Brut has yet to fulfill the promise they showed on this awesome debut, Bang Bang Rock & Roll is still one of the essential album of the decade.“Bad Weekend”
179.	King Geedorah Take Me To Your Leader
	Easily one of the most prolific artists of the decade, MF Doom aka Viktor Vaughn aka King Geedorah (and endless other aliases) always seems to have an album or a project handy. Even crazier is the fact that just about all of his musical output is worthwhile, with Take Me To Your Leader being one of the many prime examples. While the album is a bit feature heavy, the contributions are welcome and don’t distract from the overall feel of the album. Take Me To Your Leader is just one of the many great Doom albums from this decade.“Next Levels” (feat. Lil’ Sci) (Explicit)
178.	The Black Keys Thickfreakness
	Perhaps its the midwest origins, or perhaps its the fact that they’re a mere duo of drums and guitar, or maybe its because of the somewhat familiar name. Whatever the case may be, The Black Keys are not the White Stripes, and that is no disrespect at all to this Dayton, Ohio band– they do things their own way. Serving up a blend of blues-rock that is hard to come by these days, Dan Auerbach’s vocals punch through the fuzzy guitar effects with an effortless snarl.“Thickfreakness”
177.	Quasimoto The Unseen
	An exceptionally deranged, scatterbrained album of hip hop abstractionisms that could only be pulled off by someone like producer Madlib. Interspersing old tv clips with DJ cuts, sparse rhymes, and some occasional silliness, The Unseen is something of a cult classic these days, but still well worth hearing.“Discipline 99, Pt. 0″ (Explicit)
176.	Lupe Fiasco Food & Liquor
	Hard to believe that this is the guy that got his start from being featured on the Kanye West track “Touch the Sky,” the hype train for Lupe Fiasco quickly grew as Food & Liquor continued to be pushed back due to album leaks. The wait was worthwhile as Lupe released an undoubted breath of fresh air, interjecting a style and substance into hip-hop that hadn’t been prominently seen since the 90’s.“Daydreamin’” (feat. Jill Scott)(Explicit)
175.	Les Savy Fav Let’s Stay Friends
	The always entertaining Les Savy Fav struck gold with Let’s Stay Friends. The first album they had released in six years, it not only was worth the weight, but further solidified Les Savy Fav’s place in indie rock. Whether they’re rocking (“The Equastrian”), dancing (“Patty Lee”), or displaying their quieter side (“Comes and Goes”), Les Savy Fav always brings their “A” game.“The Equestrian”

Pitchfork Reveals Top 200 Albums of the Decade

Love them or hate them, Pitchfork has gotten this list thing down pat. After releasing a worthwhile list of the top 500 songs of the decade back in August, Pitchfork staff have now amassed their list of top albums, and it’s really not much of a surprise (especially if you read Pitchfork) what ends up #1.

Click here to find out and post your comments.

Pitchfork Reveals Top 500 of the Decade

Have to give credit where it’s due, and folks this is one dandy of a list. Something Fuzzy Thoughts was planning to do at the end of this year, Pitchfork has gone ahead and named names– of the top 500 songs of the 2000’s. While there are certainly some choices that will stir their share of controversy, I have to say they did a hell of a job (especially with the #1 pick).

Have at it:
500-201
200-101
100-51
50-21
20-1

Top 50 Albums of 2008

50.

The Roots Rising Down

The Roots managed to come out with an album in Rising Down that was even darker than its predecessor. That being said, Rising Down features some outstandingly poignant songs that truly reflect the dark underbelly of today’s socioeconomic culture.

“75 Bars (Black’s Reconstruction)”:

(Explicit)

49.

Raphael Saadiq The Way I See It

Raphael Saadiq returned with an outstanding R&B album that was much more than a homage to old school motown. Instead, he made it into something of his own, with an album that was anchored by such as “Staying in Love” and “Love that Girl.”

“Staying in Love”:

48.

       Man Man Rabbit Habits

Man Man’s sophomore release found the band experimenting even further with their already off-the-wall sound. Fans should certainly appreciate their pushing the envelope, as well as others who hadn’t been familiar with them previously.

“Top Drawer”:

47.

Estelle Shine

Shine cemented Estelle’s status as an international star as her first US release has been incredibly well received. With songs like “Wait a Minute (Just a Touch),” “Pretty Please (Love Me),” and, most famously, “American Boy,” it’s easy to see how Americans embraced this British artist with such ease.

“American Boy” (feat. Kanye West):

46.

Beck Modern Guilt

While the pairing of Beck and Danger Mouse failed to meet most expectations, Modern Guilt still boasts a number of very good songs from Beck, who for once pushed himself a bit sonically.

“Modern Guilt”:

45.

School of Seven Bells Alpinisms

Benjamin Curtis of Secret Machines joined forces with Alejandra and Claudia Deheza (formerly of On! Air! Library!) to form a band that looks to have quite the future. Not only will it make Secret Machines fans pleased, but the complex soundscapes and gorgeous vocals should be pleasing to other audiences as well.

“Half Asleep”:

44. 

The Black Keys Attack & Release

An album originally to have been completed by Ike Turner, he unfortunately passed away before Danger Mouse was able to finish recording with him. In come The Black Keys, who were meant to be a part of the collaboration anyway, and they in turn churned out one of their most adventurous and fun releases of their career. Danger Mouse’s productions fit perfectly with the Akron, Ohio duo’s traditionally blues-influenced sound.

“Psychotic Girl”:

43.

The Kills Midnight Boom

The Kills return with a supremely gritty and consistently fun album that never lets up in intensity. The songs are concise rockers that are low on excess, and in cases like “Tape Song” and “Black Balloon,” the duo finds themselves in rare form.

“Tape Song”:

42.

Foals Antidotes

One of the many promising acts of 2008, Foals released an exceptional disc in Antidotes that appears to be only the tip of the iceberg given their talents. Foals solidified themselves as a band as well by putting on an outstanding set of shows this year, particularly at Lollapalooza in August.

“Red Socks Pugie” :

41.

Does It Offend You, Yeah? You Have No Idea What You’re Getting Yourself Into

A balls to the wall debut proved that Doest It Offend You, Yeah? is much more than a quirky name. Not only do the guys know how to have a good time both live and in the studio, they also know how to make a good serious tune as well, as evidenced on “Epic Last Song.” It may not be a work of art, but You Have No Idea… is a ton of fun.

“We Are Rockstars”:

40.

B.B. King One Kind Favor

Yet another legend returns with an absolutely fantastic release, as B.B. King’s One Kind Favor turns out to be one of the better releases of his illustrious career. Superb production by T-Bone Burnett brings out the best in King and company, as he sounds as fine as ever both vocally and on the guitar.

“Get These Blues Off Me”:

39.

Al Green Lay It Down

Al Green’s latest release is not only the best release of Green’s in a long time but a testament to not only the longevity of Green’s career but also should cement producers Ahmir “?uestlove” Thompson and James Poyser as being formidable producers. Lay It Down isn’t a masterpiece, but it’s a extremely well-done album that puts Green rightfully back into the spotlight

“Just for Me”:

38.

My Morning Jacket Evil Urges

My Morning Jacket went off the deep end with Evil Urges, abandoning the majority of their familiar sonic queues for something different altogether, as evidenced on the polarizing “Highly Suspicious.” That being said, when it does work, it’s really quite good, as the band went all out with their new direction.

“Touch Me I’m Going to Scream, Pt. 2″:

37.

Neon Neon Stainless Style

A wondrous collaboration between Gruff Rhys and producer Boom Bip, Stainless Style is a smartly done concept album centered around the life of John DeLorean. Hopefully they decide to find another topic of interest, as the duo work quite well together.

“I Told Her On Alderaan”:

36.

Kings of Leon Only by the Night

Kings of Leon continued down their path of arena rock with Only by the Night, but unfortunately lacked the consistency they had on Because of the Times. Even so, there are numerous highlights on the album, “Crawl” and “Sex on Fire” in particular.

“Sex On Fire”:

35.

Johnny Flynn & the Sussex Wit A Larum

Johnny Flynn released a very impressive debut with his backing band The Sussex Wit– an effort that unfortunately has been largely overshadowed by many of the other highly anticipated debuts. Despite that, A Larum shows a lot of maturity for such a young songwriter in Flynn, and The Sussex Wit provide a wonderful backdrop for his talents.

“The Box”:

34.

Eagles of Death Metal Heart On

Jesse Hughes and Josh Homme released what has to be the best album in the Eagles of Death Metal catalogue. From the one two opening punch of “Anything ‘Cept the Truth” and the lead single “WannaBe in L.A.,” it’s clear that Eagles of Death Metal are not only back to rock, but also have a bit more substance to their already intriguing style.

“WannaBe in L.A.” :

33.

Ra Ra Riot The Rhumb Line

Ra Ra Riot has a very promising future ahead of them if The Rhumb Line is any indication. Despite losing their drummer only a year before the band was signed to a major label (let alone released The Rhumb Line), Ra Ra Riot has continued to evolve and the bittersweet nature of the album brings a certain complexity that is rarely seen in a debut release.

“Winter ‘05″: 

32.

of Montreal Skeletal Lamping

Oh the things that go on in Kevin Barnes’ twisted little head. This delightfully Id-like release pushes the envelope as far as how graphic Barnes allows himself to be (which is pretty graphic), and also manages to turn every song into something of an opus as they interweave storylines as well as musical themes.

“Id Engager”:

31.

The Raveonettes Lust Lust Lust

The Raveonettes push there boundaries here, experimenting with heavy reverb and distortion to create a literal wall of sound, while they craft various tales of love and lust. The results are stunning, especially given the minimalist approach The Raveonettes have tended to take in the past with their studio work. A highly recommended release.

“Dead Sound”:

30.

Nick Cave & The Bad Seeds Dig!!! Lazarus Dig!!!

Dig!!! Lazarus Dig!!! is, quite simply, another great album from Nick Cave & The Bad Seeds. Littered with clever lyrics and engaging musicianship, Dig!!! Lazarus Dig!!! certainly appeals to many.

“Dig!!! Lazarus Dig!!!”:

29.

Ryan Adams & The Cardinals Cardinology

Love him or hate him, you have to say that Ryan Adams has found his groove with The Cardinals. Cardinology is a celebration of that new found synergy of sorts, albeit a quiet one with the only “rocker” song being “Magick.” Instead Cardinology focuses on the little things, and because of what’s within those details Ryan Adams scores himself another success.

“Fix It”:

28.

The Rural Alberta Advantage Hometowns

How this band is still unsigned is beyond me, but Hometowns is a truly fantastic album. Their distinctively rhythmic sound is accentuated by Nils Edenloff’s distinctive vocals. I guarantee that you’ll be hearing a lot about The Rural Alberta Advantage in 2009.

“Don’t Haunt This Place”:

27.

Lil Wayne Tha Carter III

One of the most talked about albums of the year, it’s interesting to see indie rock culture embrace a guy like Lil Wayne considering his stream of conscious style of rapping. That aside, Tha Carter III was an impressive effort, despite being somewhat bogged down by its excessive length.

“Comfortable”:

26.

Randy Newman Harps & Angels

Yes, Randy Newman is relevant again as a studio artist with his ever timely release of Harps & Angels that offers the same biting critiques that people have come to expect from him. While he doesn’t reinvent the wheel here, he certainly hasn’t lost his touch at all, as the writing across the board is quite good.

“Harps and Angels”:

25.

Dr. Dog Fate

One of the more fun releases of 2008, Dr. Dog is a very hard band to dislike, particularly if you have any appreciation for psychadelic pop/rock. Fate continues on this tradition, with a few marked departures for the band as well that manage to never alienate the listener, despite being decidedly different. A well worthwhile listen.

“The Rabbit, The Bat and the Reindeer”:

24.

Wale The Mixtape About Nothing

Wale continues his hot hand with The Mixtape About Nothing. As you might’ve guessed from the title, it is a mixtape loosely based on Seinfeld, loaded with lyrics that reference the show as well as show clips. Perhaps most poignant on the album is “The Kramer,” perhaps one of the best (and bravest) attempts in a rap song to conceptualize the use of the “N” word and how it is viewed today. On the opposite side of the spectrum, the remix of Chicago Falcon by The Budos Band is phenomenal, with Wale providing some exceptional rhymes about Seinfeld. Now that we know what Wale can do on a mixtape, you can bet the world will be waiting with baited breath to see how he fares on his debut album.

“Chicago Falcon Remix” feat. The Budos Band:

23.

Sigur Rós Með suð í eyrum við spilum endalaust

Sigur Rós released yet another fantastically gorgeous album, anchored by the title track and lead single “Gobbledigook.” While it could certainly be regarded as being their most accessible album to date, Sigur Rós doesn’t give up any substance in the process.

“Gobbledigook”:

22.

Wolf Parade At Mount Zoomer

While Apologies to Queen Mary earned Wolf Parade the right to be a part of the indie scene’s inner-circle, it appears that their sophomore release At Mount Zoomer was largely overlooked. While it’s certainly difficult to outrun a shadow like their debut, At Mount Zoomer is, at times, equally brilliant– and it is always, at the very least, very good.

“Soldier’s Grin”:

21.

The Hold Steady Stay Positive

The Hold Steady continue their impressive streak of making great music on Stay Positive. Where they could’ve just stayed the course, they do attempt to push themselves sonically, as evidenced on “One for the Cutters” and “Both Crosses,” two of the darker tracks on the album. At the same time, there are songs such as “Sequestered in Memphis” and the title track that are distinctively The Hold Steady– and for them, that’s always a good thing.

“Sequestered in Memphis”:

20.

Coldplay Viva La Vida or Death and All His Friends

With mastermind Brian Eno in tow, Coldplay released not only the biggest album of their careers, but also arguably the best album as well. With two powerful singles in “Violet Hill” and “Viva La Vida” anchoring the disc, the band continues to wear their influences on their respective sleeves, with heavy U2 references (surprise!) as well as My Bloody Valentine and Radiohead.

“Viva La Vida”:

19.

Atmosphere When Life Gives You Lemons, You Paint that Shit Gold

Criminally underrated, When Life… is a sprawling album filled with vivid scenes of the dark side of people’s lives. No longer content in just rapping about himself, Slug really delivers powerful prose when speaking about the experience of others, and Ant follows suit with constantly riveting beats.

“Shoulda Known” :

18.

Elbow The Seldom Seen Kid

With gorgeously written songs such as “Mirrorball” and “One Day Like This,” in addition to the edgy Tom Waits styled “Grounds for Divorce,” it’s easy to see why this album won the Mercury Prize. Elbow has always been a band to fly a bit under the radar, especially here in the states, but one would hope that based on the success of The Seldom Seen Kid that’ll change very soon.

“Grounds for Divorce”:

17.

Los Campesinos! Hold On Now, Youngster

Los Campesinos! are ridiculously good, sounding like Broken Social Scene on steroids, with the quirky punk appeal of Art Brut, Hold On Now, Youngster is so exuberant it’s easy to lose focus on the equally sophisticated lyrics. A very impressive debut, Los Campesinos! is a band we’ll be talking about for quite a while.

“You! Me! Dancing!”: 

16.

Black Milk Tronic

In an impressive year for hip hop music, Tronic stands as being one of the best as MC/Producer Black Milk, quite simply, blows your mind with his talents. From beginning to end, Black Milk never lets up, with each track being as meticulously produced as the last, with lyrics to match. Hailing from the musically rich city of Detroit, Tronic cements Black Milk as being one of the torch bearers for a new generation of Detroit hip hop artists.

“Losing Out”:

(explicit)

15.

Death Cab for Cutie Narrow Stairs

Narrow Stairs was not only surprising in its drastic difference in direction (especially when compared to Plans), but also in that the band performs at such a consistently high level on this album, that Narrow Stairs could easily be considered one of the best releases of Death Cab’s career. While the content is relatively dark, with all songs being examples of love gone wrong, musically this is the most interesting the band has sounded in a long time.

“I Will Possess Your Heart”:

14.

Hercules and Love Affair Hercules and Love Affair

A strangely hypnotic fusion of disco/punk and modern dance/electronica music, Hercules and Love Affair represents what has become the core of DFA records (home of LCD Soundsystem among others), making incredibly eclectic disco/pop/dance records that are both totally relevant as well as stimulating for the listener.

“Blind”: 

13.

Portishead Third

Admittedly the most difficult listen of 2008, Third is a very rewarding album once you warm up to it—this is especially true for Portishead fans. While the songs evoke a similar sense of melancholy that Portishead exuded on earlier albums, the almost dystopian nature of the music is enhanced by the harsh and cold production. Truth be told, listening to Third for the first time, was a lot like the first time I heard Radiohead’s Kid A. I was put off yet haunted all at the same time, and found myself coming back for more. More than likely, you’ll have a similar reaction if you haven’t heard the album already.

“The Rip”:

12.

Fucked Up The Chemistry of Common Life

An extremely dynamic album, The Chemistry of Common Life is almost an exercise in the eclectic approaches one can take in punk music. The epic opener “Son the Father” sets the pace, and The Chemistry of Common Life never loses steam.

“Son the Father”:

11.

Shugo Tokumaru Exit

Take two parts Animal Collective, one part Sufjan Stevens and throw in some Japanese lyrics for good measure, and you’d have a head start what Exit sounds like. Even with those comparisons in mind, however, Tokumaru impresses on songs like the opening “Parachute” and “Green Rain,” as his songs manage to still have the elements of a pop song despite all the frills, and there are a ton of frills here. Each song is intricately arranged, with odd and ever-changing time signatures (not to mention Tokumaru plays most of the instruments himself), so it’s easy to appreciate the album on multiple levels.

“Parachute”:

10.

The Raconteurs Consolers of the Lonely

Consolers of the Lonely is everything that Broken Boy Soldiers should’ve been and was probably meant to be. From beginning to end the songs drip with classic rock influences, somehow resulting in a meeting point between each of the band members varied backgrounds and musical interests. Though there’s no stand out single in the spirit of “Steady as She Goes,” Consolers of the Lonely is a near-classic release.

“Salute Your Solution”:

9.

Erykah Badu New Amerykah: Part One (4th World War)

A sprawling, complex amalgam of songs grace New Amerykah: Part One, an album that should go down as the finest of Erykah Badu’s career. With the single “Honey” buried in the album as a bonus track of sorts, accessibility has been thrown to the side with the focus being simply on Badu’s courageously insightful lyrics and her equally adventurous approach to music.

“Soldier”:

(Explicit)

8.

Jamie Lidell Jim

Jim was Jamie Lidell’s coming out party. While he continues to blur the line of old school R&B and electronic music, Lidell has clearly become comfortable in his precarious state, as Jim is virtually seamless as Lidell goes from the bouncy “Another Day” to the more Multiply-esque “Figured me Out.” Another sign of growth is Lidell’s near-flawless execution of ballads on this album, especially “Green Light” and “All I Wanna Do.” Jim is by far the most fun album of 2008.

“Another Day”:

7.

Q-Tip The Renaissance

Q-Tip could’ve very well spearheaded a renaissance with this album. A much needed beacon of hope for hip-hop music, The Renaissance has a timeless feel to it, with Q-Tip providing some exquisite productions that will certainly never grow old, and an equally brilliant Dilla produced song with “Move” to top it off. As surprising as it is to say this, especially considering Q-Tip hadn’t been heard from since Kamaal the Abstract was shelved six years ago, The Renaissance is the hip-hop album of the year.

“Gettin Up”:

6.

The Walkmen You & Me

Whatever the cause for the sudden maturity for The Walkmen, it’s the best thing to ever happen to them. You & Me is a stone cold classic with incredible depth and an attention to detail that makes the album that much more effective.

“In The New Year”:

5.

Cut Copy In Ghost Colours

Cut Copy did more than enough on their debut, Bright Like Neon Love, to warrant a breeze through, stick to the formula, sophomore release. Not so fast—not only did Cut Copy up the ante, but they exceeded even the high expectations set up for them. In Ghost Colours is an amazing accomplishment for such a young band, it’ll be interesting to see where they go from here.

“So Haunted”:

4.

Fleet Foxes Fleet Foxes

Unexpectedly, Fleet Foxes caught on like wildfire this year, as their simple yet elegant approach to the alt-folk scene as well as their penchant for heavenly sounding vocals, helped to gain them such attention so quickly. To hear Fleet Foxes at their very best, just take a listen to “White Winter Hymnal” and you’ll begin to understand how such a seemingly timid band from Seattle can cause such a stir.

“White Winter Hymnal”:

3.

Bon Iver For Emma, Forever Ago

While this album was technically released independently by Justin Vernon himself in 2007, it wasn’t until earlier this year that it was finally completely accessible to the public through the Jagjaguwar label. For Emma, Forever Ago is the product of Vernon isolating himself from the world by spending three months alone in a Wisconsin cabin, and you feel that sense of loss and subtle beauty with every note on the album. While the album is definitely on the darker side, the vocals and sparse arrangements are so gorgeous that if anything, it’s the music that’s moving you to tears, not necessarily the lyrics.

“Skinny Love”:

2.

TV on the Radio Dear Science

TV on the Radio is a band that is constantly changing from one album to the next, and Dear Science is no exception. With it’s heavily Bowie influenced semi-glam/dance sound, TVotR sound surprisingly upbeat, giving fans the rare opportunity to actually dance to their music. Furthermore, Dear Science will also likely be known as the most accessible of the TV on the Radio albums, which in this case isn’t a bad thing. The structure remains the same, with the dense lyrics also remaining in tact—this time they’re just dressed up a bit differently. Suffice it to say, the new packaging works really, really well.

“Dancing Choose”:

1.

Deerhunter Microcastle/Weird Era Cont.

Compared to the noisy, long-winded debut of Cryptograms, Microcastle feels like a revelation. A much more concise release with hints of neo-psychadelia in addition to their shoegaze sound, Microcastle is very much refreshing. A perfect album from beginning to end, Microcastle/Weird Era Cont. is rightfully the #1 album to be released in 2008.

“Never Stops”:

Top 40 Songs of 2008

Well it is officially that time of year again, where thousands of wildly eclectic musical selections are dissected and broken down to fit on a set of neatly compiled lists. Today we’ll be focusing on the Top 40 songs of 2008, a first for Fuzzy Thoughts. The top 50 albums of 2008 will be revealed tomorrow.

40. “Shoulda Known” by Atmosphere

When Life Hands You Lemons, You Paint that Shit Gold

Using an absolutely wicked synth bass lick, “Shoulda Known” exemplifies the immensely satisfying style that Ant and Slug discovered on this album– a sizeable departure from their previous works. Slug’s lyrics are no longer completely personal, but rather slices of life pieces and “Shoulda Known” is perhaps the grittiest and most gripping still life of them all. A hard hitting track to be sure, but very addicting as well.

39. “75 Bars (Black’s Reconstruction)” by The Roots

Rising Down

(explicit)

Black Thought absolutely destroys this track, as the Roots sum up everything that makes them so well renowned within the span of three minutes on this song. Intricate production? Check. Powerful lyricism? Also there. Politcally motivated? You bet. Furthermore, “75 Bars” is the prime example of precisely what made Rising Down such a challenge to listen to– it not only hits you over the head, it darn near knocks you out with the unsettling messages they’re conveying. You have no choice but to listen, and on songs like “75 Bars,” that’s certainly not a bad thing.

38. “Everyone Nose (All The Girls Standing in the Line for the Bathroom” by N*E*R*D*

Seeing Sounds

An absolute left-field anti-coke party anthem as only Pharrell and company could do it. While the song quickly wore out its welcome (especially with its repetitive chorus), there is no denying that “Everyone Nose” is one hell of a tune– the bombastic drums and horns truly put the song over the top.

37. “Going On” by Gnarls Barkley

The Odd Couple

While The Odd Couple suffered greatly from inconsistency, “Going On” was one of the many true stand outs that could’ve easily held their own on St. Elsewhere. Danger Mouse never steps on the feet of Cee-Lo, as his vocals merely soar over the instruments, rather than compete with them.

36. “Modern Guilt” by Beck

Modern Guilt

From one Danger Mouse project to another, “Modern Guilt” is yet another strangely addictive Beck tune. With Danger Mouse bringing a new sound to the table, Beck truly sounds much more engaged on this album than he had in the past, especially on this track.

35. “We Are Rockstars” by Does It Offend You, Yeah?

You Have No Idea What You’re Getting Yourself Into

Sounding like a saccharin-infused high school dance party DJed by Daft Punk, Does It Offend You, Yeah? kicked down the door with this one. If it weren’t for the excessive hype leading up to the release of their album, this album wouldn’t received the proper acclaim that it deserves.

34. “The Box” by Johnny Flynn & The Sussex Wit

A Larum

The lyrical witticisms and smart arrangements on this track make it easy to appease a wide reaching audience, even those who aren’t necessarily interested in folk. The guitar intro leads to a very unique sound that bleeds London, and continues to build with increasingly complex rhythms towards the second half of the song. A very fun tune indeed.

33. “Red Socks Pugie” by Foals

Antidotes

Easily one of the most distinctive bands to come out in 2008, “Red Socks Pugie” exemplifies all that made Antidotes such an appealing album. Highly complex rhythms are offset by poly-rhythmic guitars and finally frontman Yannis Phillipakis’ urgent vocals.

32. “Losing Out” by Black Milk

Tronic

(explicit)

Detroit’s own Black Milk did not disappoint at all with the outstanding Tronic, and with the help of Royce da 5′9,” “Losing Out” is simply mesmerizing between the incredible wordplay and the equally impressive production.

31. “Dance Wiv Me” (feat. Calvin Harris & Chrome) by Dizzee Rascal

Dance Wiv Me

An absolute gem of a party single that was appropriately released in the summer, Dizzee Rascal is in top form with Calvin Harris and Chrome both making strong contributions as well. “Dance Wiv Me” is about as fun as it gets in 2008.

30. “Touch Me I’m Going to Scream, Pt. 2″ by My Morning Jacket

Evil Urges

Another left field release from a major rock band, “Touch Me I’m Going to Scream, Pt. 2″ was one of the whacky experiments on the part of My Morning Jacket that really worked. A sprawling eight minute track, Jim James lets loose on this song more so than any of the others, and the theatrical nature of the song plays right into what My Morning Jacket does best, seemingly creating a soundtrack to a non-existant movie.

29. “Psychotic Girl” by The Black Keys

Attack & Release

Easily featuring the best Danger Mouse production on the album, “Psychotic Girl” is a uncomfortably sexy song, with the production really selling the chorus of “Just a psychotic girl and I don’t want to get lost in your world.” Dan Auerbach surprisingly holds his own on this song, as the structure forced him to be a bit more restrained than usual. Even with that in mind, “Psychotic Girl” is a great tune.

28. “Winter ‘05″ by Ra Ra Riot

The Rhumb Line

A subtle, bittersweet song that is backed by a beautifully lush string arrangement, “Winter ‘05″ is a wistful highlight from an equally good album.

27. “A Milli” by Lil’ Wayne

Tha Carter III

At this point, it’s been overplayed to death, but this song is absolutely addicting. Lil Wayne’s free flowing style suits the beat perfectly, offering the playful and eccentric rhymes that we’ve come to expect from him.

26. “Blind” by Hercules and Love Affair

Hercules and Love Affair

A superb dance groove from DJ Andy Butler, “Blind” caught on like wildfire when released. Featuring guest vocalist Antony Hegarty, the song walks the fine line between disco era and 80’s dance music genres with surprisingly wonderful results.

25. “In The New Year” by The Walkmen

You & Me

The Walkmen is light years away from where they were just a few years ago, and that’s a good thing. The incredible maturation on You & Me allowed for them to make a song like “In The New Year,” with its soaring organ and wonderful drums all backed by a barely restrained Hamilton Leithauser. Instead of taking it too far as they would have in the past, The Walkmen do just enough to enrapture the listener.

24. “The Rabbit, The Bat and the Reindeer” by Dr. Dog

Fate

Like an old tune coming through on your AM radio, Dr. Dog’s heavy use of harmonizing, and classic chord progressions that are now trademarks of the band all make for a wonderfully composed song in “The Rabbit, the Bat and the Reindeer” that’s also a lot of fun.

23. “Sequestered In Memphis” by The Hold Steady

Stay Positive

The anthemic single off of Stay Positive is as catch as it is self-referential as it not only references pop culture but also much of their own music. That being said, “Sequestered in Memphis” hardly feels stale, it’s a definite good time song.

22. “Tape Song” by The Kills

Midnight Boom

A dirty, gritty, semi-sexy song, Alison Mosshart seems to channel Yeah Yeah Yeah’s Karen O, and then ratchets up the intensity level tenfold by the end of the song. Built on a simple yet perfectly effective drum and bass part, Mosshart really steals the show here.

21.“Son The Father” by Fucked Up

The Chemistry of Common Life

Flutes grace the modest opener to what turns out to be a riot of a track, with the screaming vocals leading the charge of a barrage of sound that lasts the entire length of the song. “Son The Father” is the perfect intro for a very well done album.

20. “Gettin’ Up” by Q-Tip

The Renaissance

Q-Tip’s “Gettin’ Up” is like a blast from the past, recalling the late 80’s-early 90’s golden age of Hip-Hop, and bringing a refreshing sense of optimism that has been missing from the genre. “Gettin’ Up” is an instant classic.

19. “No Sex For Ben” by The Rapture

Grand Theft Auto IV

Like a mad science experiment, the pairing of Timbaland and The Rapture may seem jarring at first, at least until you hear “No Sex For Ben.” What’s essentially a diss song about British DJ Ben Rhymer, The Rapture work wonderfully off of Timbaland’s beat-boxed productions, with a scathingly funny track that surprisingly (so far) has only been attached to the Grand Theft Auto IV video game soundtrack.

18. “Viva La Vida” by Coldplay

Viva La Vida or Death and All His Friends

What became a profound anthem for most everyone, “Viva La Vida” appears larger than life, a very U2-esque song that is as powerful as it is accessible. Despite two accusations of plagiarism (with neither case holding any water), Coldplay is clearly sitting on top of the world, and a lot of that has to do with this very tune.

17. “Gobbledigook” by Sigur Rós

Með suð í eyrum við spilum endalaust

While the song is very atypical to what Sigur Rós fans are used to, with most people comparing it to something Animal Collective might release, it’s hard to dislike its freewheeling energy. With heavily layered vocals, handclaps and forceful drums, “Gobbledigook” is much more rhythmically driven than most Sigur Rós songs, and it pays off wonderfully.

16. “You! Me! Dancing!” by Los Campesinos!

Hold On Now, Youngster

Even at nearly seven minutes, Los Campesinos! never loses your attention on “You! Me! Dancing!” The nervous energy that permeates through their music is what sets the listener up for the intro to this song, as an assuming guitar suddenly swells into a full on rush of sound. “You! Me! Dancing!” is like a Broken Social Scene on steroids.

15. “Black & Gold” by Sam Sparro

Sam Sparro

While the album as a whole was relatively disappointing, Sam Sparro broke out with a huge hit in “Black & Gold.” With a decidedly 80’s synth R&B vibe, Sparro’s voice croons with such conviction that it’s almost hard to believe that he wasn’t able to carry it through the rest of the album. Even so, “Black & Gold” makes for a incredibly good listen.

14. “Grounds for Divorce” by Elbow

The Seldom Seen Kid

The video for this song was appropriately set in a bar, as it has all the traits of being a raucous drinking song (complete with the guttural background vocals). The song knocks you off of your feet and continues to pound with an unrelenting force, especially with that wicked bass leading into the chorus.

13. “Just For Me” by Al Green

Lay It Down

Al Green was back with a vengeance this year, and “Just For Me” was the crown jewel in the album that has rightfully brought Green back into the spotlight. ?uestlove and James Poyser both did a wonderful job in producing Lay It Down, paying homage to his older releases while also bringing a fresh approach to his music– it’s easy to see that Al Green had a lot of fun while recording.

12. “The Rip” by Portishead

Third

As a whole, Third is an extremely difficult listen, yet a rewarding one. However, “The Rip,” somehow, stands out with its relatively sparse arrangement that sends the focus all on vocalist Beth Gibbons. The Radiohead-esque build up at the end is simply magnificent.

11. “M79″ by Vampire Weekend

Vampire Weekend

Every year there’s at least one standout act that simply rubs me the wrong way, and this year Vampire Weekend takes that prize (sorry, but a bunch of smug Columbia students aping Paul Simon and Talking Heads doesn’t do it for me). That being said, it’s hard to argue against a song like “M79,” a beautifully arranged song with its lively baroque strings that still builds upon the African rhythmic timings that Vampire Weekend is known for. “M79″ is an unassuming stunner, the kind that grows on you more and more over time.

10. “So Haunted” by Cut Copy

In Ghost Colours

“So Haunted” is just one of the many standout tracks on the terrific In Ghost Colours, but what sets it apart is the simply addicting chorus, and the absolutely dead on breakdown that starts at the 2:48 mark. “So Haunted” is a rare breed– a song that would be as fitting in a live performance as it would be in the clubs.

9. “Why Do You Let Me Stay Here” by She & Him

Volume One

While Scarlett Johansson was busy channeling her inner Tom Waits, actress Zooey Deschanel had the brighter idea of teaming up with singer/songwriter M. Ward and producing an album that featured such charming songs as “Why Do You Let Me Stay Here.” While other songs on Volume One showed the potential for great things with She & Him, “Why Do You Let Me Stay Here” is the one true song where it all genuinely comes together. Deschanel’s layered vocals at the end are particularly impressive.

8. “Dancing Choose” by TV on the Radio

Dear Science

Whether you like it or not, Dear Science was a thoughtful party album in the way that only TV on the Radio could do it. “Dancing Choose” is one of the best examples of this new approach, sounding like the funky indie-take of R.E.M.’s “It’s The End Of The World As We Know It,” it’s as catchy as TV on the Radio gets.

7. “American Boy” (feat. Kanye West) by Estelle

Shine

Estelle really lived up to her album title in 2008, solidifying her worldwide popularity with the pop gem “American Boy.” Featuring Kanye West, who thankfully left his auto-tune at home for this recording, Estelle exudes confidence and polish, as she sweetly name-drops various US destinations.

6. “Another Day” by Jamie Lidell

Jim

Ultimately the theme song for spring 2008, “Another Day” showed not only the maturation of Lidell as a singer, but also his increased interest in Motown era R&B. The organic production fits Lidell like a glove, particularly during the Bacharach-esque ending, “Another Day” is a definite charmer.

5. “Never Stops” by Deerhunter

Microcastle

“Never Stops” is the type of song that really crawls under your skin. Brandon Cox’s unassuming vocals are elevated by the shoegaze-influenced wall of guitars, leading up into a beautiful, if a bit unsettling, chorus. A terrifically written song.

4. “I Will Possess Your Heart” by Death Cab For Cutie

Narrow Stairs

Probably no other song from 2008 surprised as much as “I Will Possess Your Heart.” The eight and a half minute stalker opus is far creepier than you could ever imagine Death Cab being, yet at the same time the song is also inconceivably endearing. A very elaborate song, the secret to its success is the outstanding drumming by Jason McGerr as well as the addicting bass line provided by Nicholas Harmer.

3. “Skinny Love” by Bon Iver

For Emma, Forever Ago

“Skinny Love” is just about perfect, truth be told, from Justin Vernon’s haunting voice to the minimalist production, it’s a masterpiece in the way it expresses solitude and regret.

2. “Sex on Fire” by Kings of Leon

Only By The Night

Unfortunate title notwithstanding, Kings of Leon truly outdid themselves on “Sex on Fire.” Not only does it outshine everything else on the album, it’s arguably one of the better songs the guys from Tenessee have come up with as of late. The chugging bass and drums underly the immediacy of the song, with the guitars soaring perfectly along the chorus line. An absolutely stunning song.

1. “White Water Hymnal” by Fleet Foxes

Fleet Foxes

A lush, gorgeous track that simply mesmerizes the ears and mind, “White Water Hymnal” is built around a relatively simple lyrical passage, but it’s layered vocals and superbly done harmonizing are what really takes the cake.

Top 50 of 2008 Coming Soon: Here’s a Compilation of Previous Lists

It’s that time of year again where everyone rolls out their list of top albums and songs and whatever else of 2008. As I nitpick over a few said choices, I present to you in the meantime the previous lists that have been compiled in the past. First, the top 25 songs will be unveiled in the next day, with the top 50 albums of 2008 coming up later on this week. After the dust has settled from all that, look for a quick holiday guide to be posted as well.

Top 25 Albums of 2005:

25. Art Brut Bang Bang Rock & Roll
24. Erin McKeown We Will Become Like Birds
23. Atmosphere You Can’t Imagine How Much Fun We’re Having
22. One Be Lo S.O.N.O.G.R.A.M
21. Of Montreal The Sunlandic Twins
20. Bright Eyes I’m Wide Awake, It’s Morning
19. Nic Armstrong & The Thieves The Greatest White Liar
18. Black Rebel Motorcycle Club Howl
17. Ryan Adams & The Cardinals Cold Roses
16. Sleater-Kinney The Woods
15. Beck Guero
14. Common Be
13. Wolf Parade Apologies to Queen Mary
12. Dangerdoom The Mouse and the Mask
11. Stars Set Yourself on Fire
10. Gorillaz Demon Days
9. Andrew Bird The Mysterious Production of Eggs
8. The Go! Team Thunder, Lightning, Strike
7. Broken Social Scene Broken Social Scene
6. Bloc Party Silent Alarm
5. Kanye West Late Registration
4. Clap Your Hands Say Yeah Clap Your Hands Say Yeah
3. Sufjan Stevens Illinois
2. Spoon Gimme Fiction
1. My Morning Jacket Z

Top 25 Albums of 2006:

25. Sound Team “Movie Monster”
24. Murs & 9th Wonder Murray’s Revenge
23. J Dilla/Jay Dee Donuts
22. Herbert Scale
21. Pearl Jam Pearl Jam
20. M. Ward Post-War
19. Wolfmother Wolfmother
18. Belle & Sebastian The Life Pursuit
17. Ghostface Killah Fishscale
16. Red Hot Chili Peppers Stadium Arcadium
15. Lupe Fiasco Lupe Fiasco’s Food & Liquor
14. Beth Orton Comfort of Strangers
13. The Hold Steady Boys and Girls in America
12. Mylo Destroy Rock & Roll
11. Gnarls Barkley St. Elsewhere
10. The Rapture Pieces of People We Love
9. Phoenix It’s Never Been Like That
8. The Flaming Lips At War With the Mystics
7. TV on the Radio Return to Cookie Mountain
6. Yo La Tengo I Am Not Afraid of You and I Will Beat Your Ass
5. Spank Rock YoYoYoYoYoYo
4. My Chemical Romance The Black Parade
3. Muse Black Holes and Revelations
2. The Roots Game Theory
1. Bob Dylan Modern Times

Top 25 Albums of 2007:

25.   Modest Mouse We Were Dead Before the Ship Even Sank
24.   Liars Liars
23.   Sondre Lerche Phantom Punch
22.   Against Me! New Wave
21.   Amy Winehouse Back to Black
20.    Les Savy Fav Let’s Stay Friends
19.    Andrew Bird Armchair Apocrypha
18.    Feist The Reminder
17.    Wilco Sky Blue Sky
16.    The White Stripes Icky Thump
15.    Josh Ritter The Historical Conquests of Josh Ritter
14.    Justice †
13.    White Rabbits Fort Nightly
12.    St. Vincent Marry Me
11.    Blonde Redhead 23
10.    Iron & Wine The Shepherd’s Dog
09.    Arctic Monkeys Favourite Worst Nightmare
08.    Of Montreal Hissing Fauna, Are You the Destroyer?
07.    Kings of Leon Because of the Times
06.    Spoon Ga Ga Ga Ga Ga
05.    The National Boxer
04.    M.I.A. Kala
03.    Arcade Fire Neon Bible
02.    Radiohead In Rainbows
01.    LCD Soundsystem Sounds of Silver

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Fuzzy Faves of 2007: Top 50 Albums of 2007 Part II

25.    Modest Mouse

We Were Dead Before the Ship Even Sank

We Were Dead Before the Ship Even Sank doesn’t quite recapture the glory of The Moon & Antarctica, but with the addition of Johnny Marr, it sounds very much like a rejuvenated Modest Mouse crew. "Dashboard" and "Fire It Up" are a solid one, two punch, while "Parting of the Sensory," "Steam Engenius," and "Spitting Venom" will certainly appeal to fans of Modest Mouse’s edgier work. This album truly has something for everyone. (video: Music video for the song "Fire it Up")

24.    Liars

Liars

A very sneaky album, this is the kind of grower that once you get into, you’re hooked and can’t stop listening. The haunting, Beck-like "Houseclouds" is superb, as is "Sailing to Byzantium." Highly recommended if you haven’t heard it yet. (video: Music video for the song "Houseclouds")

23.   Sondre Lerche

Phantom Punch

It’s loud, it’s unabashedly poppy, it’s occasionally borderline schizophrenic sonically, but it’s really freaking good. Thankfully, it doesn’t feel like Lerche isn’t trying to rock here, nothing is forced, and on songs like the title track and "Face the Blood" it’s apparent that the hard-hitting drums and guitar are truly an extension of Lerche’s lyrics. Also, "Airport Taxi Reception" and "Say It All" show how Lerche is getting increasingly better with his songwriting. For fans of the more acoustic styles that Lerche featured on his first two albums, there’s "Tragic Mirror" and "After All." (video: Music video for the song "Phantom Punch")

22.    Against Me!

New Wave

New Wave may go a different direction from what Against Me! fans are used to, but this is such a well-made album that it should eventually even turn the cynics around. Tracks like "Thrash Unreal" and "Animal" are particularly strong, with Tom Gabel’s vocals bringing just the right amount of edge. (video: Music video for the song "Thrash Unreal")

21.    Amy Winehouse

Back to Black

What an effort from Amy Winehouse, who has made a name for herself in more ways than one with her first stint in America. Sure, we’ve all heard "Rehab" and "You Know I’m No Good" but honestly, from beginning to end this album is refined, intriguing, and very, very good. Winehouse’s vocals don’t always translate live (you have to get her on a good night), but she’s got a lot of talent as a performer. (video: Music video for the song "Love is a Losing Game")

20.    Les Savy Fav

Let’s Stay Friends

 

Every good band that sticks around long enough has a moment where they suddenly appear on everyone’s radar and the next thing you know, they release an extraordinary album that puts them on the map. Let’s Stay Friends is that album for these guys, as it’s something like a quantum leap musically. Both "Patty Lee" and "What Would Wolves Do?" show their newly refined pop sensibility, while they rock the hell out of tracks like "The Equestrian." (video: Music video for the song "Patty Lee"

19.    Andrew Bird

Armchair Apocrypha

After yet another mesmerizing album from Andrew Bird, I’m starting to wonder if the guy is capable of anything less than that. Armchair Apocrypha kicks off with the beautiful "Fiery Crash" and never lets up. This time around as well, the Chicagoan seems to be a lot more confident, particularly with his vocals. His voice doesn’t sneak into the song anymore, but his echo-laden vocals punch through every time. A very rewarding album. (video: Bird performing "Plasticities" live on David Letterman)

18.    Feist

The Reminder

Evidently, someone forgot to tell Feist about the sophomore slump. Instead of merely treading water, she ratcheted it up a few notches with an album that overflows with breezy, well-written pop. The opener "So Sorry" shows Leslie Feist’s talents as a singer, which in some ways is easy to overlook on this album given the grandiose arrangements. Meanwhile "I Feel it All," "1234" and "Past and Present" are carefree, hand-clapping tunes. She also mixes in a few songs that straddle the fence stylistically between this album and her previous, somewhat darker album ("My Moon, My Man" and her Nina Simone cover of "Sea Lion Woman"). All in all this is a very commendable effort, so much so that you forget its only her second album. (video: Live performance of "I Feel it All" on a bus for the  Jimmy Kimmel show)

17.    Wilco

Sky Blue Sky

Easily the most laid back album Wilco has released in their dozen year history, Sky Blue Sky is wonderful and frustrating all at the same time. After the largely experimental Yankee Hotel Foxtrot and A Ghost Is Born, this album feels like a bit of a regression. That’s not entirely true though, as songs like "Impossible Germany," "Please Be Patient With Me" and "On and On and On" are some of the most beautiful songs that Wilco has ever performed. (video: Live performance of "Impossible Germany")

16.    The White Stripes

Icky Thump

After the misstep that was Get Behind Me Satan, Icky Thump pretty much gets back on track. While some songs parallel stuff from De Stijl, it’s songs like the Patti Page cover of "Conquest," the insanely trippy pair of "Prickly Thorn, But Sweetly Worn" and "St. Andrew" that really elevate this album. It’s messy and weird as all get out, but as always, Jack and Meg somehow make it work. (video: Music video for the song "Conquest")

15.    Josh Ritter

The Historical Conquests of Josh Ritter

This album may not be perfect, but there are very few albums that I enjoyed listening to more this year than The Historical Conquests of Josh Ritter. As pretentious as the title may seem, this is indeed a conquest, he has mastered the art of folk songwriting, and knows how to have a ton of fun while doing it. (video: Live performance of "To the Dogs or Whoever" from Juan’s Basement)

14.    Justice

†

Easily one of the best electronic albums to come out in a long time, † is reminiscent of the early days of Daft Punk, and that’s a very good thing. The ubiquitous "D.A.N.C.E," an ode to Michael Jackson, and "Water of Nazareth" are particularly engaging. Meanwhile, "Let There Be Light" is an incredibly beautiful noise piece. A delightful album from beginning to end, Justice has a very bright future ahead of them. (video: features the song "Let There Be Light")

13.    White Rabbits

Fort Nightly

An incredible debut effort, this sextet has a maturity that is quite rare for their age– taking seemingly straightforward song structures and turning them on their head time and time again. Songs like "The Plot" and "Navy Wives" in particular, are the most accessible examples. The slow burning "Take a Walk Around the Table" with its haunting background vocals and organ is another highlight. A superb album. (video: Live performance of "The Plot" on David Letterman)

12.    St. Vincent

Marry Me

The best debut of 2007, St. Vincent’s Marry Me is nothing short of a revelation. Her wildly creative and impressive debut is consistently mesmorizing, especially when it comes to her knack for harmony. Clearly a passionate artist, Annie Clark shines particularly on songs like "Marry Me," "The Apocalypse Song" and the lush "Land Mines." Unbelievably beautiful, not enough compliments can be said about Marry Me. (video: Live performance of "Now, Now" at 7th Street Entry in Minneapolis, MN [7/24/07])

11.    Blonde Redhead

23

Blonde Redhead’s finally put together the best album of their career, and by no small margin at that. The first half of the album in particular is perfect, a culmination of Blonde Redhead’s unrealized potential with a dash of newfound focus. The title track, "SW," "Spring and By Summer Fall" and "My Impure Hair" in particular stand out, but there’s really not a bad song on the album. (video: Music video for the song "23")

10.    Iron & Wine

The Shepherd’s Dog

Iron & Wine finally has some life! Always an impressive songwriter, his songs sometimes were so bogged down by his stagnant arrangments that it was hard not to be bored listening to an entire album of it. Not so here as Sam Beam finally lets loose a bit, and keeps his masterful songwriting in tact to make the package that much sweeter. (video: Live performance of "The Devil Never Sleeps" on David Letterman)

09.    Arctic Monkeys

Favourite Worst Nightmare

Yep, I’ve performed a complete 180 on my stance of these guys. While I still don’t get the fascination with Whatever People Say I Am, That’s What I’m Not, but Favourite Worst Nightmare has something to offer more than old Libertines rehashes. Not to mention the songs have a bit more depth to them thank goodness. Amazing what a difference a single album can make. (video: Music video for the song "Fluorescent Adolescent")

08.    Of Montreal

Hissing Fauna, Are You the Destroyer?

Of Montreal is at it again, this time around they’re just a bit darker however. Nevertheless, Kevin Barnes’ brainchild still churns out awesomely fun music that even at its weirdest moments is enjoyable, and almost always accessible. (video: Live performance of "Bunny Ain’t No Kind of Rider" at Pulse Studios for Indie 103.1fm)

07.    Kings of Leon

Because of the Times

After two albums of delectable southern rock, Kings of Leon went on to make one of the most surprising rock albums of 2007. Changing their pace to a darker, more stadium-ready sound, every single member of the band sounds a million times better than they ever have before. A truly terrific album, Because of the Times could likely be seen in the near future as something of a classic. (video: Live performance of "McFearless," 4/18/07)

06.    Spoon

Ga Ga Ga Ga Ga

In their entire history, Spoon has yet to release a bad album, and Ga Ga Ga Ga Ga obviously doesn’t deviate from that. It requires a bit of a patient ear, as songs like "The Ghost of You Lingers" with Britt Daniel’s haunting vocals is a pretty disorienting song. On the other hand, there are many immediately likeable songs like "The Underdog" and "You Got Yr Cherry Bomb." (video: Live performance of "You Got Yr Cherry Bomb" on SNL)

05.    The National

Boxer

Here’s another grower that is still growing on me at the time of writing this. The ominous "Fake Empire" is the perfect opener on this equally outstanding album. Matt Berninger’s defeated vocals work incredibly well with the cautiously optimistic tone of the songs. A very surprising yet rewarding album. (video: Live performance of "Slow Show" from Spinner’s Interface)

04.    M.I.A.

Kala

An internationally influenced album that’s almost impossible to categorize, Kala makes Arular look sophomoric. Fusing sounds from several countries in which she recorded, this album is quite unlike anything I’ve ever heard before. (video: Music video for the song "Boyz")

03.    Arcade Fire

Neon Bible

Really a testemant to how strong the top two albums are this year, Neon Bible was my dark horse "album of the year" pick. After such a strong showing with Funeral it’s tough to do much better, but Neon Bible is overall a much more sophisticated album, and for that it’s a bit more rewarding. While the updated version of "No Cars Go" in particular is spectacular, the whole album is truly special. (video: Live performance of "Keep the Car Running" at Festival Rock en Seine in Paris [August 2007])

02.    Radiohead

In Rainbows

Radiohead continues their amazing musical journey with In Rainbows, an album that really surprised the hell out of everyone– even with fans who never know what to expect anyway. Sure, being able to choose your own price for the album was fun, but that shouldn’t overshadow this incredible set of works from these guys. The best album since OK Computer, In Rainbows is an album that everyone should own. (video: Live performance of "Bodysnatchers" during the Thumbs Down Webcast [November 9, 2007])

01.    LCD Soundsystem

Sounds of Silver

When I originally reviewed Sounds of Silver, my opinions were simple as this: "Ladies and gentlemen, I give you the album of the year. Barring some stroke of mindblowing genius, I can all but guarantee that nothing will beat this album, nothing. Not the White Stripes, not the indie flavor of the month, nothing." Well, many albums came close– exceptionally close at that– but in the end James Murphy’s latest release wins out simply because it never ceases to impress despite coming out several months ago by now. Usually in that span of time, an album can be torn and ripped apart, over analyzed, and so on, but not the case here. Sounds of Silver is as good as it gets. (video: Video featuring the song "All My Friends")

So that’s the list, but Fuzzy Thoughts is far from done. Check back soon for a review of Lupe Fiasco’s latest, The Cool. Also, John Tuturro’s debut film  Romance and Cigarettes is reviewed and I also have another surprise coming, so check back frequently! All that being said, feel free to comment/criticize/hate whatever with comments below.

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