What turned out to be one of the better Chicago festivals attended, Pitchfork 2009 puts a lot of pressure on the upcoming Lollapalooza festival, as the little festival that could has slowly crept up on its counterpart in terms of not only attracting quality bands, but also in the overall atmosphere. With nearly 55,000 fans entering Union Park during the course of the three-day festival, this little brother packs quite the punch.
Of course, there were things to nitpick over, whether it be the bleeding audio (which Lollapalooza still hasn’t even figured out in the much larger Grant Park setting), bathroom/beer lines, etc., but for all intents and purposes, Pitchfork was perfectly imperfect– a fantastic weekend of music.
Highlights

The Flaming Lips put on an expectedly exquisite show.
Of course the highlights begin with the heavy hitters of The Flaming Lips, Built to Spill and The National, all of which lived up to the hype and then some. The Lips played some new material and also a rare b-side just for fans, but otherwise most bands stuck to the Write the Night list based on what the fans voted.

Pharoahe Monch was incredibly solid, bringin the soulful flair that's sorely missing from most hip-hop.
Other highlights include Pharoahe Monch, who really energized the crowd, as well as Yo La Tengo and Blitzen Trapper. Also, the music and art vendors deserve a lot of props as well, as there was a ton of worthwhile shopping options (particularly for vinyl lovers).
Lowlights
There weren’t many, but one of the notable ones was of course DOOM (aka MF Doom, aka Viktor Vaughn, aka King Geedorah, and more), who looked to be more interested in hitting up the food vendors afterwards than actually performing. He’s never been known as a terrific live act to be sure, but at points it would have been equally interesting to simply have his music piped into the festival speakers. Tortoise was equally uninspiring as they looked to be going through the motions, seemingly forgetting that they are in fact playing in front of an audience.
As far as the festival itself was concerned, bathroom lines were a problem to the point that Pitchfork organizers had to call in an emergency shipment of portable johns. Another point of contention for many was the food selection at the festival– apparently the higher ups overestimated the number of people interested in vegetarian/vegan options, because there were definitely a large number of people bemoaning the lack of “normal” food options.
A Great Event

Yes, that is indeed the line for the Green Line post-Pitchfork.
Of course those are minor quibbles, and in the grand scheme of things, they really don’t amount to much. The fact is that Pitchfork put together one hell of a festival this year and are poised to overtake Lollapalooza in quality in the next year– if you don’t think they have already.

Pitchfork may attract a smaller crowd, but it's enough to shut down Ashland Ave.